Ryan Gosling (2)
Eu sei que me estou a repetir, mas desta vez é uma citação:
It's Gosling, though, who continues to astonish, and if Beachum seems an even bigger revelation than his Oscar-nominated Half Nelson turn, it's because the role as written gives him so much less to work with. Gosling owns the part, his eyes afire with the hunger of those who have spent a lifetime angling for a room at the top, or even in the building. On-screen, Gosling is so focused, yet so loose and at ease, that his every movement and gesture flows as naturally as the words from his mouth. He's the kind of actor who makes other actors look lazy. He is Brando at the time of Streetcar, or Nicholson in Five Easy Pieces, and altogether one of the more remarkable happenings at the movies today.
(Scott Foundas, no Village Voice, sobre Fracture, sublinhado meu).
It's Gosling, though, who continues to astonish, and if Beachum seems an even bigger revelation than his Oscar-nominated Half Nelson turn, it's because the role as written gives him so much less to work with. Gosling owns the part, his eyes afire with the hunger of those who have spent a lifetime angling for a room at the top, or even in the building. On-screen, Gosling is so focused, yet so loose and at ease, that his every movement and gesture flows as naturally as the words from his mouth. He's the kind of actor who makes other actors look lazy. He is Brando at the time of Streetcar, or Nicholson in Five Easy Pieces, and altogether one of the more remarkable happenings at the movies today.
(Scott Foundas, no Village Voice, sobre Fracture, sublinhado meu).
